Algorithmic Reverb
Halo Reverb
Eight spaces. One curve of light.
A reverb with eight space types, three era choices, six decay bands, predelay, Halo interval voices, freeze, bloom, modulation, ducking and mix controls.
Signal path
Why it exists
Choose one of eight spaces, set its era, then shape six decay regions alongside predelay, diffusion, modulation, freeze, bloom, ducking, tone, width and mix.
Eight spaces
Change the space without hiding the controls.
01 · Hall
Hall.
Select Hall and shape its decay regions, predelay and shared spatial controls.
02 · Plate
Plate.
Plate uses the same visible control vocabulary with its own source-defined space behavior.
03 · Nonlin
Nonlin.
Nonlin presents another of the eight verified space choices.
04 · HALO
HALO.
The HALO selection completes this deterministic four-state proof sequence.
Motion proof
Four spaces, one visible decay workflow.
A deterministic pass moves through Hall, Plate, Nonlin and HALO while the editor stays live.
Where it earns its keep
Built for the jobs you actually have.
Space selection
Move among eight source-defined room and effect spaces.
Decay shaping
Set the decay contour across six frequency regions.
Interval voices
Use the Halo section's five interval choices inside the reverb workflow.
Dynamic space
Use freeze, bloom, modulation and ducking from the main surface.
What's in the unit
Real pixels, not promises.
Hall
Hall shown in the real interface.
Plate
Plate shown with the same decay controls.
Nonlin
Nonlin shown as a deterministic editor state.
HALO
HALO shown as the fourth proof state.
Eight spaces, four engine families
| Space | Engine | Reach for it on |
|---|---|---|
| Hall / Chamber / Room / Ambience / Cathedral | Eight-line modulated FDN, tuned per space | Vocals, keys, strings, score |
| Plate | Figure-eight plate topology | Vocals, snare, anything that should shine |
| Nonlin | 32 decorrelated taps per channel, no feedback loop | Gated and reverse drums, 80s moves |
| HALO | FDN plus granular pitch regeneration in the tail | Shimmer, tuned air, sound design |
Everything in the box
- Eight space types
- Three era choices
- Six decay-band controls
- Predelay and diffusion controls
- Five Halo interval choices
- Freeze and bloom controls
- Modulation, tone and width controls
- Ducking and mix controls
Specifications
Questions engineers ask
How many spaces are included?
Eight source-defined space types.
How is decay shaped?
The interface exposes six decay-band controls.
What else can move the reverb?
Predelay, diffusion, Halo intervals, freeze, bloom, modulation, ducking, tone, width and mix are present in the current source.
More from the line
Halo Reverb
Choose the space, then shape its decay.
Eight spaces and the surrounding controls stay on one surface.