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Press kit

The reviewer kit.

Boilerplate, product fact sheets and real interface renders for coverage of Vitric. Everything on this page is factual and publishable as-is. Review copies and questions: support@vitricaudio.com.

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Vitric Audio is an American audio plugin developer. The line covers 13 plugins for mixing, mastering and sound design: Bevel EQ, a 24 band parametric equalizer with filter slopes to 96 dB/oct and per-band stereo placement; Caliper Compressor, a character compressor with four circuit behaviours (FET, Opto, Tube and Clean); the Harmonic Multiband Compressor, a 6 band multiband compressor built around a dual-stage saturation engine; Halo Reverb, an algorithmic reverb with eight spaces on four engine families; Colonnade Delay, a dual-engine character delay staged on a real depth axis; Iron Summing, a console-style summing system.

The line also includes Burnish Vocal Chain, a lead-vocal chain with fully local reference analysis; Plinth Subharmonic Synthesizer, a phase-locked sub generator that shows what it found; Stoke Saturator, a one-voice saturator with measured contracts; Chamfer De-Esser, a de-esser with a level-tracked threshold and clickable esses; Kiln Synthesizer, a three-oscillator synthesizer with the Glass modal resonator and Anneal, which breeds patches toward a dropped sound; Clearwall Limiter, a true-peak mastering limiter with Clear, Punch and Dense styles; and Colorfield Mix Stage, which goes on every track and places the whole mix in one modeled room, from the front of the stage to the back wall.

All ship as VST3 for Windows and as VST3 and AU for macOS, and every plugin also ships as AAX on both. Vitric started at Studio 4, a working recording studio, and every plugin is still tested in real sessions there before it ships.

One-line version: Vitric Audio makes EQ, compression, reverb, delay, summing, vocal, saturation, de-essing, synthesizer, limiter and room placement plugins, and tests each one in real recording sessions before it ships.

Status
Live. The store opened August 28, 2026.
Line
13 released plugins
Trials
3 days, full function, free
Formats
VST3 · AU · AAX
Platforms
Windows 10+ · macOS, Intel and Apple Silicon, every plugin
Hosts
Any DAW that loads VST3, AU or AAX
Pricing
Current prices, active offers and checkout availability are shown on every product page.
Headquarters
Canton, Ohio, USA
Press contact
support@vitricaudio.com

System requirements in full: Windows: Windows 10 or later, 64-bit. VST3, AAX, Standalone. macOS: macOS 10.15 or later on Intel; macOS 11 or later on Apple Silicon. AU, VST3, AAX. Hosts: A 64-bit host supporting your platform’s plugin format. Your DAW may require a newer operating system.

Bedroom Producers Blog: Bevel EQ launch coverage (September 2026). This is coverage of the launch offer; current pricing and availability live on the Bevel EQ page.

The Vitric Journal explains design decisions and practical mixing techniques, with sources, worked examples and audio where available. Our free studio tools run in the browser without an account. Link to the resource that helps your readers; current product prices and availability always live on the product pages.

Harmonic Multiband CompressorMultiband Dynamics · v2.1.12Fact sheet

Harmonic Multiband Compressor 2.1 licensed on a 172 bpm mix: six lit band chambers with gain-reduction curtains on the low bands, the dim pre trace under the lit post fill, the band 3 control row reading 350 Hz to 1.00 kHz, and the Harmonics Engine with IN DRIVE at 35 percent
Fig 01 · Harmonic Multiband Compressor · Real render, not a mockup
  • Multiband Dynamics
  • v2.1.12
  • VST3 · AU · AAX

Control the bands. Shape what drives them.

A six-band multiband compressor plugin (VST3, AU and AAX) for a steadier low end, controlled upper mids and independent movement across the mix. Add input harmonics or use detector-only drive to change the compression response.

Bands
6 with 5 ordered, movable crossovers
Dynamics
Down/Up; Range 0–60 dB, upward cap 30 dB
Detector
RMS/Peak choice and high-pass per band
Input harmonics
Global drive; Detector Only / Audible; input COMP
Output harmonics
Post-sum exciter; own level matching, up to 6 dB
Oversampling
Off / 2x / 4x on audible input
Lookahead
0–10 ms
Mix
0–100% dry/wet; 100–200% additive wet gain
Platforms
Windows 10+ (64-bit); macOS 10.15+ Intel / 11+ Apple Silicon

Bevel EQParametric EQ · v1.3.0Fact sheet

Bevel EQ 1.2 on a full mix: six working bands, the ember summed curve, the band plate open on a dynamic bell, and both analyzer traces drawn from real music
Fig 02 · Bevel EQ · Real render, not a mockup
  • Parametric EQ
  • v1.3.0
  • VST3 · AU · AAX

The first-call EQ.

A 24-band dynamic EQ plugin for resonances that come and go, broad tone moves and stereo cleanup. Set each band as a bell EQ, a shelf, a notch or a pass filter, place it in stereo, left, right, mid or side, and work directly on the spectrum.

Bands
24, freeform
Per band
Stereo / L / R / Mid / Side · solo · dynamic on bells and shelves
Dynamics
Threshold -72 to 0 dB · signed range ±24 dB
Filter slopes
12 to 96 dB/oct
Analyzer
Pre and post, together via Options; 4096 to 16384-pt FFT
Oversampling
Zero Latency / 2x / 4x, host-compensated
Mono-maker
24 dB/oct; corner 20 to 500 Hz, set in Options
Formats
VST3 and AAX on macOS and Windows · AU on macOS
Platforms
Windows 10+ (64-bit) · macOS 10.15+ Intel / 11+ Apple Silicon
Made in
USA

Caliper CompressorCharacter Compressor · v1.2.2Fact sheet

Caliper Compressor 1.2.0 in Clean mode on a full mix: the gain-reduction curtain and input history across the display, the needle at 15.1 dB, and one row of knobs reading 3.0 dB, −24.0 dB, 3.00:1, 6.0 dB, 77 µs, 108 ms, 100 % and 0.0 dB
Fig 03 · Caliper Compressor · Real render, not a mockup
  • Character Compressor
  • v1.2.2
  • VST3 · AU · AAX

Four machines. One sheet of black glass.

A FET compressor plugin with three more characters: Opto for vocal leveling, Tube for a rounded response and Clean for transparent control. Compare modes with parallel mix and sidechain controls in one window.

Modes
FET · Opto · Tube · Clean
Sidechain
Internal / external, HPF, listen
Stereo link
0 to 100 %, louder-channel detector
Latency
Zero
Formats
VST3 and AAX on macOS and Windows · AU on macOS
Platforms
Windows 10+ (64-bit) · macOS 10.15+ Intel / 11+ Apple Silicon
Made in
USA

Halo ReverbAlgorithmic Reverb · v1.1.13Fact sheet

Halo Reverb 1.1 licensed interface in the Room space: the wet spectrum rising as a gold light field, the six-band decay contour drawn over it with the 3.5 to 8 kHz node selected at x0.720, and DECAY reading 0.80 seconds
Fig 04 · Halo Reverb · Real render, not a mockup
  • Algorithmic Reverb
  • v1.1.13
  • VST3 · AU · AAX

Eight spaces. One curve of light.

An algorithmic reverb plugin for close rooms, vocal plates and long pitched tails. Shape decay across six bands and use ducking to keep the dry performance clear.

Spaces
8 across 4 engine families
Decay contour
6 fixed bands; 0.25×–4× in feedback spaces
NONLIN
Finite window; no feedback contour or infinite freeze
Eras
MODERN / CLASSIC / VINTAGE
HALO intervals
5
Presets
43 factory presets plus Default; save your own
Latency
Zero added samples
Platforms
Windows 10+ (64-bit); macOS 10.15+ Intel / 11+ Apple Silicon

Colonnade DelayCharacter Delay · v1.1.14Fact sheet

Colonnade Delay 1.1.0, licensed, working on a 105 bpm beat: PING-PONG routing, engine A tagged TAPE on a synced 1/4 staged back and left, engine B tagged GHOST on a synced 1/8 dotted staged front and right, both echo trains alive along the stage's time ruler.
Fig 05 · Colonnade Delay · Real render, not a mockup
  • Character Delay
  • v1.1.14
  • VST3 · AU · AAX

Echoes staged in space.

A dual-engine delay plugin for a close vocal repeat and a distant wash in the same insert. Choose Studio, Tape, Bucket or Ghost for each engine, then route them in parallel, ping-pong, serial or Mid/Side.

Engines
2
Characters
Studio / Tape / Bucket / Ghost
Routing
Dual / Ping-Pong / Serial / Mid-Side
Time
1 ms to 4 s free; 21 sync divisions
Time changes
Repitch / Fade
Pitch behavior
Quartz / Slide
Loop filter
OFF / LP / HP / BP, per engine
Latency
Zero added samples
Platforms
Windows 10+ (64-bit); macOS 10.15+ Intel / 11+ Apple Silicon

Iron SummingConsole Summing System · v1.3.15Fact sheet

Iron Summing 1.3.0 licensed Bus window on a full mix: eight named lanes from SUB to SIDES burning across the rack, ALL SATURATION at 175.0 percent beside a PHASE reading of plus 0.56, the four console EQ bands at 1.50, -1.00, 0.80 and 2.00 dB, PUSH at 35.0 percent with WIDTH at 45.0 percent and SPACE at 30.0 percent, MIX at 100.0 percent, and the PRE MASTER readout at -5.6 dB over its output meters
Fig 06 · Iron Summing · Real render, not a mockup
  • Console Summing System
  • v1.3.15
  • VST3 · AU · AAX

The console, reassembled.

Iron Summing is an analog summing plugin that puts Channel tone and Bus control across your DAW session. Add color on tracks, shape the bus and adjust Channel trims from one window. Audio stays in your normal DAW routing.

Roles
Channel / Bus
Voicings
32 fixed console variations
Groups
8; up to 128 registrations in a shared module/process
Glue
Push/Flood; maximum 3 dB cut; lift 3 dB plus up to 1.2 dB transient
Bus EQ
45 Hz / 550 Hz / 3 kHz / 22 kHz (lower at 44.1 and 48 kHz); ±6 dB
Remote controls
Channel trim, rename and temporary solo
Latency
Zero added samples
Platforms
Windows 10+ (64-bit); macOS 10.15+ Intel / 11+ Apple Silicon

Burnish Vocal ChainVocal Chain · v1.2.2Fact sheet

Burnish Vocal Chain in Play view on real music: a pitch trace drawn across the stage spectrum against its note ladder, the eight station tiles from IN to LEVEL beneath it, six macro knobs with their exact value fields, BYPASS and MATCH A/B at the left, and the REFERENCE well and MATCH knob at the right
Fig 07 · Burnish Vocal Chain · Real render, not a mockup
  • Vocal Chain
  • v1.2.2
  • VST3 · AU · AAX

Build the vocal chain around the take.

A vocal chain plugin for tuning, cleanup, compression and space in one window. Start with six PLAY macros, then open DESIGN to edit eight processing stages. Play it a take so it measures your voice, then analyze a reference locally for a starting point.

Modes
Track · Mix
Tuning
Classic · Natural with Throat in Mix
Stations
8, in a fixed signal order
Reference
Local file analysis · LEARN your voice · explained fits · MATCH 0–150%
Presets
66 factory chains, including 12 Learn; save your own
Macros
6 in PLAY; individual controls in DESIGN
Input
Mono or stereo in, stereo out
Latency
Track: 4 samples. Mix: 12.5 ms with Natural, plus 5 ms when the gate is enabled.
Formats
VST3 and AAX on macOS and Windows · AU on macOS
Platforms
Windows 10+ (64-bit) · macOS 10.15+ Intel / 11+ Apple Silicon
Made in
USA

Plinth Subharmonic SynthesizerSubharmonic Synthesizer · v0.2.13Fact sheet

Plinth Subharmonic Synthesizer 0.2.0 licensed on a bass loop: the generated sub drawn as the brightest curve at 18.3 Hz under the detected 36.5 Hz fundamental, the first located-subharmonic chip lit, and the SUB LEVEL VU integrating on the VS-26 faceplate
Fig 08 · Plinth Subharmonic Synthesizer · Real render, not a mockup
  • Subharmonic Synthesizer
  • v0.2.13
  • VST3 · AU · AAX

The subharmonic synthesizer that shows its work.

A subharmonic synthesizer plugin that generates a mono sub one octave beneath the fundamentals in your audio. See the detected source and added sub together, then set its level with Blend.

Sub voices
Up to 3 · one mono bus, dead center
Detection
Filtered mono sidechain · dry path untouched · fundamentals up to about 385 Hz
Phase lock
Plus or minus 0.000 degrees over 60 s vs 80 Hz
Pink-noise test
Exact silence on the sub bus
Clip
First-order ADAA soft clip
Controls
Blend · Resonance · Detect · Override · Engage · Clip · Output · Solo · Power
Latency
0 samples, clip stage included
Formats
VST3 and AAX on macOS and Windows · AU on macOS
Platforms
Windows 10+ (64-bit) · macOS 10.15+ Intel / 11+ Apple Silicon
Made in
USA

Stoke SaturatorSaturator · v0.2.12Fact sheet

Stoke Saturator 0.2.0 licensed interface at the hero setting: the Drive knob inside its lit coal at 75.0 percent, Tone, Mix and Output in one row above their value fields, and the telemetry line reading IN at minus 22.2 and OUT at minus 21.8 dBFS with AUTO ON
Fig 09 · Stoke Saturator · Real render, not a mockup
  • Saturator
  • v0.2.12
  • VST3 · AU · AAX

One sound. Four knobs. Measured.

An analog-style saturation plugin with four controls: Drive, Tone, Mix and Output. Add harmonic distortion for density, blend it with the dry track and use Auto to compensate as Drive changes.

Controls
Drive · Tone · Mix · Output · Auto · Power
Parameters
7
Starting points
12, named for sources; save your own
Low end
Synthesized 808, kick and bassline test signals: 20–120 Hz within ±0.5 dB at Drive 50%, neutral Tone and Output
Aliasing floor
Recorded −131 dBFS at full Drive with a 10 kHz sine
Loudness
Synthesized program and bassline test signals: ±0.5 LU with Auto, Drive 20%/60%/100%, three input scales spanning approximately 24 dB
Bypass
Power off passes the dry track, time-aligned. At Output 0 dB, Mix 0 plays it unchanged, and so does Drive 0 with Tone at 0 dB
Latency
6 samples at 44.1/48 kHz (0.125 ms at 48 kHz), fewer at higher rates; reported exactly
Formats
VST3 and AAX on macOS and Windows · AU on macOS
Platforms
Windows 10+ (64-bit) · macOS 10.15+ Intel / 11+ Apple Silicon
Made in
USA

Chamfer De-EsserDe-Esser · v0.2.12Fact sheet

Chamfer De-Esser 0.2.0 licensed interface working on a 105 bpm mix: the analyzer drawn to 20 kHz, the detection band shaded from 3.00 to 7.00 kHz with the RIDE line across it, the ess strip beneath the frequency axis, and AMOUNT at 130.00 percent, RANGE at 3.00 dB, SPEED at 0.00 percent and OUTPUT at 0.00 dB along the deck with the Surgical style lit
Fig 10 · Chamfer De-Esser · Real render, not a mockup
  • De-Esser
  • v0.2.12
  • VST3 · AU · AAX

Sibilance control that follows the performance.

A de-esser plugin for harsh sibilance that changes with the vocal level. Learn a phrase, set Amount and cap the reduction with Range. Audition what is removed and see where each ess is detected.

Threshold
Relative, level-tracked · Absolute
Styles
Smooth · Split · Surgical; Surgical uses Split in Live
Reduction
Amount 0–150% · Range 0–24 dB
Events
Clickable ess strip · commanded depth · available linked spectrum model
Stereo
Stereo · Mid Focus · Sides
Link
Per-channel depth bias in Precise Stereo with Split or Surgical
Listen
Band · Voice · Removed
Starting points
24, named for sources; save your own
Latency
Precise: 191 samples, about 4 ms at 48 kHz. Live: 0.
Formats
VST3 and AAX on macOS and Windows · AU on macOS
Platforms
Windows 10+ (64-bit) · macOS 10.15+ Intel / 11+ Apple Silicon
Made in
USA

Kiln SynthesizerSoftware Synthesizer · v1.1.1Fact sheet

Kiln Synthesizer 1.0, licensed, playing C2 on the factory bass Pulse Furnace: the round glass window in the middle draws the waveform over its spectrum, the preset's Drive, Punch, Blend and Tone macros sit either side, and the keyboard runs along the foot.
Fig 11 · Kiln Synthesizer · Real render, not a mockup
  • Software Synthesizer
  • v1.1.1
  • VST3 · AU · AAX

Build the patch, or start from a sound.

A wavetable synth plugin with a bass engine, Chord Glide, Glass resonance and 683 factory presets. Shape your own sound, or let Anneal search locally for editable patches inspired by a recording.

Oscillators
3 slots (wavetable · analog morph · sample) + sub + noise
Unison
16 voices per slot; FM between slots
Filters
2 slots · SVF, ladder, comb, formant · Glass modal resonator
Modulation
48 slots · 4 DAHDSR · 4 LFOs · random and chaos · 4 macros
Effects
9
Library
683 presets · 80 in-house wavetables · 82 Glass patches
Bass engine
Per-voice drive (6 characters) · Low Keep · knock · glide curve · Clean Legato · Bass Mono · master clipper
Glide
Mono and legato glide · Chord Glide in Poly
Tuning
MTS-ESP · Scala .scl and .kbm
MPE
Per-note bend (48 semitones), pressure, slide; bend accuracy minus 0.2 cents
Formats
VST3 and AAX on macOS and Windows · AU on macOS
Platforms
Windows 10+ (64-bit) · macOS 10.15+ Intel / 11+ Apple Silicon
Made in
USA

Clearwall LimiterMastering Limiter · v1.0.5Fact sheet

Clearwall Limiter 1.0 on a beat in the Punch style at the Club master -8 preset: the analyzer's orange gain-reduction curtain over the music, the pink loudness line on the -8 LUFS target, and readouts of -8.0 LUFS integrated, -1.0 dBTP true peak and -3.5 dB gain reduction
Fig 12 · Clearwall Limiter · Real render, not a mockup
  • Mastering Limiter
  • v1.0.5
  • VST3 · AU · AAX

Hold the ceiling. Keep the punch.

A true-peak limiter plugin for mastering, in three styles: Clear, Punch and Dense. Set a loudness target and Learn Drive sets the Drive to meet it. Then judge the result at matched loudness with Unity, or hear exactly what the limiter removes with Delta.

Styles
Clear, Punch, Dense; one structure, one latency
Ceiling
-12 to 0 dBTP on the true peak, 8x oversampled detection
Drive
0 to 30 dB, with a loudness target and Learn Drive
Latency
Master 25.8 ms, Live 8.5 ms at 48 kHz; fixed and reported
Listen
Normal, Unity, Delta, Codec (AAC 256, macOS); monitoring only
Metering
ITU-R BS.1770; checked against EBU Tech 3341/3342; LUFS, dBTP, LU
Dither
Off, 24 or 16 bit; noise shaping at 16 bit (44.1/48 kHz)
Sample rates
44.1 to 192 kHz
Formats
macOS (Apple silicon and Intel): AU, VST3 and AAX. Windows 10+ 64-bit: VST3, AAX and Standalone

Colorfield Mix StageMix Stage · v1.0.9Fact sheet

Colorfield Mix Stage 1.0.7 in the Tracking Room: a twelve-track band standing as lit glass shards in one room, the Lead Vox selected at the front with its reflection paths, and its deck open at the right reading 2.6 m, 0 degrees, direct to room +9.4 dB and first reflection 4.2 ms
Fig 13 · Colorfield Mix Stage · Real render, not a mockup
  • Mix Stage
  • v1.0.9
  • VST3 · AU · AAX

Stop turning knobs. Move the band.

Colorfield Mix Stage is a room reverb and depth plugin. It places each track in one of six modeled rooms, with the room's early reflections, its tail and the high-frequency loss of distance, and every track shares the same room. Drag a track forward, back, left or right, and its level, early reflections, air and share of the room change together, the way distance does.

Rooms
Tracking Room, Drum Room, Club, Echo Chamber, Loft, Concert Hall; the installer adds all six (about 47 MB)
Placement
Position, depth, width and aim per track; Level Lock
Listener
Seat front to back; ORTF, spaced pair or XY array
Latency
Zero reported; the direct sound is never delayed
Sample rates
44.1 to 96 kHz tested
Formats
macOS (Apple silicon and Intel): AU, VST3, AAX and the Stage app. Windows 10+ 64-bit: VST3, AAX and the Stage app

Everything on this page in one download, with the fact sheets as a Markdown file: vitric-press-kit.zip · 24 MB.

Every product image on this page is a real render from the plugin's own render harness, captured with live signal in the licensed state. None of them are mockups. Publish them as-is: do not recolor or composite them, and use Caliper's four mode renders instead of simulating its relights. The studio photographs are the actual rooms at Studio 4, where the plugins are tested.

Working on a review, a comparison or a video? Email support@vitricaudio.com with your outlet and platform and we will set you up with a full NFR license. The store is open; keys go out by email, usually the same day.

Fact checking: if a claim on this site or in your draft needs verification, ask us. We would rather correct a spec before it prints than after.

The story behind the room is on the about page. Free 3 day trials run through the trial page. Everything else: support@vitricaudio.com.